ARTIST STATEMENT

In my artistic practice, I explore how the human presence, space, and time shape one another, forming a multilayered reality in which the visible always coexists with the invisible. I am interested in how different forms of reality — human presence, cities, architecture, landscapes, and historical as well as everyday environments — become carriers of memory, experience, and meaning, and how these layers continue to operate beyond a specific moment or context.

The mutual interpenetration of the external and the internal, the material and the immaterial, repeatedly gives rise to a sense that both the human being and the world are far greater than their apparent form.

My primary media are video art and digital collage. The aesthetics of amateur footage allow me to preserve the perspective of a witness — immediate and unfiltered. I record reality as closely as possible to its initial perception and then deliberately disrupt the visual integrity of the image by introducing an additional layer — the layer of the sky. Through this process, the visual structure begins to fragment, revealing another level of perception.

In my practice, the image of the sky functions as a metaphor for a hidden layer of reality — a space of potential, memory, and presence that exists beyond habitual modes of seeing.

The use of 3D technologies, 360-degree cameras, immersive, and performative formats enables me to move beyond the limits of flat representation and to make the presence of this additional layer of reality tangible for the viewer — both through direct spatial experience and through deeper, embodied, and internal perception.